When something bad happens
we play it back in our minds,
looking for a place to step in
and change things. We should go outside
right now, you might have said. Or:
Let's not drive anywhere today.
The sea rises, the mountain collapses.
A car swerves toward the crowd
you've just led your family into.
We all look for reasons. Luck
isn't the word you want to hear.
What happened had to,
or it didn't. Maybe
the exceptional man can change direction
in midair, thread the needle's eye,
and come out whole. But even the hero
who stands up to chance has to feel
how far the world will bend
until it breaks him. He can see
that day: the unappeasable ocean,
the cascades of stone. A crowd
gathers around his body. He sees that too.
someone is saying: His luck just ran out.
It happens to us all.
-"The Hero's Luck" by Lawrence Raab, from The History of Forgetting
Writings and photos on hope and resilience; love and relationships; life and death; anger and acceptance; and human behavior and beliefs
Thursday, December 03, 2009
Where's Your Sacred Place
After the teacher asked if anyone had
a sacred place
and the students fidgeted and shrunk
in their chairs, the most serious of them all
said it was his car,
being in it alone, his tape deck playing
things he'd chosen, and others knew the truth
had been spoken
and began speaking about their rooms,
their hiding places, but the car kept coming
up, the car in motion,
music filling it, and sometimes one other person
who understood the bright altar of the dashboard
and how far away
a car could take him from the need
to speak, or to answer, the key
in having a key
and putting it in, and going.
-THE SACRED by Stephen Dunn
a sacred place
and the students fidgeted and shrunk
in their chairs, the most serious of them all
said it was his car,
being in it alone, his tape deck playing
things he'd chosen, and others knew the truth
had been spoken
and began speaking about their rooms,
their hiding places, but the car kept coming
up, the car in motion,
music filling it, and sometimes one other person
who understood the bright altar of the dashboard
and how far away
a car could take him from the need
to speak, or to answer, the key
in having a key
and putting it in, and going.
-THE SACRED by Stephen Dunn
Monday, September 14, 2009
I Went to the Woods
I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.
- Henry David Thoreau, Walden (1854)
- Henry David Thoreau, Walden (1854)
Wednesday, August 26, 2009
How Gauche
"A good man often appears gauche simply because he does not take advantage of the myriad mean little chances of making himself look stylish. Preferring truth to form, he is not constantly at work upon the facade of his appearance."
-Dame Jean Iris Murdoch DBE (15 July 1919–8 February 1999)
-Dame Jean Iris Murdoch DBE (15 July 1919–8 February 1999)
Wednesday, August 19, 2009
Busy Very Busy
"Happiness is a matter of one's most ordinary everyday mode of consciousness being busy and lively and unconcerned with self. To be damned is for one's ordinary everyday mode of consciousness to be unremitting agonizing preoccupation with self."
-Dame Jean Iris Murdoch DBE (15 July 1919–8 February 1999)
-Dame Jean Iris Murdoch DBE (15 July 1919–8 February 1999)
Thursday, August 06, 2009
Get Real
"Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in your joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
- Margery Williams from "The Velveteen Rabbit" (1922)
- Margery Williams from "The Velveteen Rabbit" (1922)
Wednesday, July 08, 2009
Meditation on the Word Need
The problem with words of emotion
is how easily meaning drains
from their fiddle-sweet sounds
and they become empty instruments.
I can say love
and mean desire to give—
open-handed, open-hearted—
or I am drawn to the light
shining from your soul—
or my life is empty without you—
or I want to run my hands
and mouth down the length of you—
or all of these at once.
Need, now, is a plain word.
I need a nail to hang this picture.
I need money to pay my bills.
I need air and light,
water and food,
shelter from storm and sun and cold.
To be healthy,
to be sane,
to survive,
I need you.
-"Meditation on the Word Need" by Linda Rodriguez, from Heart's Migration
is how easily meaning drains
from their fiddle-sweet sounds
and they become empty instruments.
I can say love
and mean desire to give—
open-handed, open-hearted—
or I am drawn to the light
shining from your soul—
or my life is empty without you—
or I want to run my hands
and mouth down the length of you—
or all of these at once.
Need, now, is a plain word.
I need a nail to hang this picture.
I need money to pay my bills.
I need air and light,
water and food,
shelter from storm and sun and cold.
To be healthy,
to be sane,
to survive,
I need you.
-"Meditation on the Word Need" by Linda Rodriguez, from Heart's Migration
Tuesday, April 28, 2009
Carpe Diem
..."Listen, my wary one, it's far too late
to unlove each other. Instead let's cook
something elaborate and not
invite anyone to share it but eat it
all up very very slowly."
- from "Misgivings," a poem by William Matthews
to unlove each other. Instead let's cook
something elaborate and not
invite anyone to share it but eat it
all up very very slowly."
- from "Misgivings," a poem by William Matthews
The Valued Preposition
I lately lost a preposition:
It hid, I thought, beneath my chair.
And angrily I cried: "Perdition!
Up from out of in under there!"
Correctness is my vade mecum,
And straggling phrases I abhor;
And yet I wondered: "What should he come
Up from out of in under for?"
It hid, I thought, beneath my chair.
And angrily I cried: "Perdition!
Up from out of in under there!"
Correctness is my vade mecum,
And straggling phrases I abhor;
And yet I wondered: "What should he come
Up from out of in under for?"
- Morris Bishop
What's Your Religion
When I do good, I feel good; when I do bad, I feel bad, and that is my religion.
- Abraham Lincoln
Smoking in Bed
After you've been to bed together for the first time,
without the advantage or disadvantage of any prior acquaintance,
the other party very often says to you,
Tell me about yourself, I want to know all about you,
what's your story? And you think maybe they really and truly do
sincerely want to know your life story, and so you light up
a cigarette and begin to tell it to them, the two of you
lying together in completely relaxed positions
like a pair of rag dolls a bored child dropped on a bed.
You tell them your story, or as much of your story
as time or a fair degree of prudence allows, and they say,
Oh, oh, oh, oh, oh,
each time a little more faintly, until the oh
is just an audible breath, and then of course
there's some interruption. Slow room service comes up
with a bowl of melting ice cubes, or one of you rises to pee
and gaze at himself with mild astonishment in the bathroom mirror.
And then, the first thing you know, before you've had time
to pick up where you left off with your enthralling life story,
they're telling you their life story, exactly as they'd intended to all
along,
and you're saying, Oh, oh, oh, oh, oh,
each time a little more faintly, the vowel at last becoming
no more than an audible sigh,
as the elevator, halfway down the corridor and a turn to the left,
draws one last, long, deep breath of exhaustion
and stops breathing forever. Then?
Well, one of you falls asleep
and the other one does likewise with a lighted cigarette in his mouth,
and that's how people burn to death in hotel rooms.
without the advantage or disadvantage of any prior acquaintance,
the other party very often says to you,
Tell me about yourself, I want to know all about you,
what's your story? And you think maybe they really and truly do
sincerely want to know your life story, and so you light up
a cigarette and begin to tell it to them, the two of you
lying together in completely relaxed positions
like a pair of rag dolls a bored child dropped on a bed.
You tell them your story, or as much of your story
as time or a fair degree of prudence allows, and they say,
Oh, oh, oh, oh, oh,
each time a little more faintly, until the oh
is just an audible breath, and then of course
there's some interruption. Slow room service comes up
with a bowl of melting ice cubes, or one of you rises to pee
and gaze at himself with mild astonishment in the bathroom mirror.
And then, the first thing you know, before you've had time
to pick up where you left off with your enthralling life story,
they're telling you their life story, exactly as they'd intended to all
along,
and you're saying, Oh, oh, oh, oh, oh,
each time a little more faintly, the vowel at last becoming
no more than an audible sigh,
as the elevator, halfway down the corridor and a turn to the left,
draws one last, long, deep breath of exhaustion
and stops breathing forever. Then?
Well, one of you falls asleep
and the other one does likewise with a lighted cigarette in his mouth,
and that's how people burn to death in hotel rooms.
- "Life Story" by Tennessee Williams,
from The Collected Poems of Tennessee Williams.
New Directions, 2002
Thursday, April 23, 2009
Why Be Different
“The opposite of love is not hate, it's indifference. The opposite of art is not ugliness, it's indifference. The opposite of faith is not heresy, it's indifference. And the opposite of life is not death, it's indifference.”
- Elie Wiesel, Romanian born American Writer.
Nobel Prize for Peace in 1986. b.1928
Monday, March 23, 2009
In the Name of Doris, Stop
When you're seventeen, and drunk
on the husky, late-night flavor
of your first girlfriend's voice
along the wires of the telephone
what else to do but steal
your father's El Dorado from the drive,
and cruise out to the park on Driscoll Hill?
Then climb the county water tower
and aerosol her name in spraycan orange
a hundred feet above the town?
Because only the letters of that word,
DORIS, next door to yours,
in yard-high, iridescent script,
are amplified enough to tell the world
who's playing lead guitar
in the rock band of your blood.
You don't consider for a moment
the shock in store for you in 10 A.D.,
a decade after Doris, when,
out for a drive on your visit home,
you take the Smallville Road, look up
and see RON LOVES DORIS
still scorched upon the reservoir.
This is how history catches up—
by holding still until you
bump into yourself.
What makes you blush, and shove
the pedal of the Mustang
almost through the floor
as if you wanted to spray gravel
across the features of the past,
or accelerate into oblivion?
Are you so out of love that you
can't move fast enough away?
But if desire is acceleration,
experience is circular as any
Indianapolis. We keep coming back
to what we are—each time older,
more freaked out, or less afraid.
And you are older now.
You should stop today.
In the name of Doris, stop.
- "History of Desire" by Tony Hoagland, from Sweet Ruin
on the husky, late-night flavor
of your first girlfriend's voice
along the wires of the telephone
what else to do but steal
your father's El Dorado from the drive,
and cruise out to the park on Driscoll Hill?
Then climb the county water tower
and aerosol her name in spraycan orange
a hundred feet above the town?
Because only the letters of that word,
DORIS, next door to yours,
in yard-high, iridescent script,
are amplified enough to tell the world
who's playing lead guitar
in the rock band of your blood.
You don't consider for a moment
the shock in store for you in 10 A.D.,
a decade after Doris, when,
out for a drive on your visit home,
you take the Smallville Road, look up
and see RON LOVES DORIS
still scorched upon the reservoir.
This is how history catches up—
by holding still until you
bump into yourself.
What makes you blush, and shove
the pedal of the Mustang
almost through the floor
as if you wanted to spray gravel
across the features of the past,
or accelerate into oblivion?
Are you so out of love that you
can't move fast enough away?
But if desire is acceleration,
experience is circular as any
Indianapolis. We keep coming back
to what we are—each time older,
more freaked out, or less afraid.
And you are older now.
You should stop today.
In the name of Doris, stop.
- "History of Desire" by Tony Hoagland, from Sweet Ruin
Friday, March 20, 2009
Worth Sharing
"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife."
- Jane Austen from Pride & Prejudice, Chapter I of Volume I (Chap. 1)
Wednesday, March 18, 2009
Be a Moon
If you would not be rain my darling, then be a tree,
Content in its bounty. Be a tree.
And if you would not be a tree my darling, then be a stone,
Content in its dampness. Be a stone.
And if you would not be a stone my darling, then be a moon,
In the slumber of the beloved, be a moon.
This is how a woman spoke to her son, at his funeral.
Original Arabic:
إذا لم تكن مطرا يا حبيبي ...فكن شجرا مشبعا بالخصوبة...كن شجرا...
وإذا لم تكن شجرا يا حبيبي...فكن حجرا مشبعا بالرطوبة...كن حجرا
وإذا لم تكن حجرا يا حبيبي ...فكن قمرا في منام الحبيبة ...كن قمرا
هكذا قالت امرأة لابنها في جنازته
Content in its bounty. Be a tree.
And if you would not be a tree my darling, then be a stone,
Content in its dampness. Be a stone.
And if you would not be a stone my darling, then be a moon,
In the slumber of the beloved, be a moon.
This is how a woman spoke to her son, at his funeral.
-Mahmoud Darwish (1941-2008)
Original Arabic:
إذا لم تكن مطرا يا حبيبي ...فكن شجرا مشبعا بالخصوبة...كن شجرا...
وإذا لم تكن شجرا يا حبيبي...فكن حجرا مشبعا بالرطوبة...كن حجرا
وإذا لم تكن حجرا يا حبيبي ...فكن قمرا في منام الحبيبة ...كن قمرا
هكذا قالت امرأة لابنها في جنازته
Monday, February 23, 2009
It's Not Quite Night
The cat calls for her dinner.
On the porch I bend and pour
brown soy stars into her bowl,
stroke her dark fur.
It's not quite night.
Pinpricks of light in the eastern sky.
Above my neighbor's roof, a transparent
moon, a pink rag of cloud.
Inside my house are those who love me.
My daughter dusts biscuit dough.
And there's a man who will lift my hair
in his hands, brush it
until it throws sparks.
Everything is just as I've left it.
Dinner simmers on the stove.
Glass bowls wait to be filled
with gold broth. Sprigs of parsley
on the cutting board.
I want to smell this rich soup, the air
around me going dark, as stars press
their simple shapes into the sky.
I want to stay on the back porch
while the world tilts
toward sleep, until what I love
misses me, and calls me in.
- "On the Back Porch" by Dorianne Laux, from Awake
On the porch I bend and pour
brown soy stars into her bowl,
stroke her dark fur.
It's not quite night.
Pinpricks of light in the eastern sky.
Above my neighbor's roof, a transparent
moon, a pink rag of cloud.
Inside my house are those who love me.
My daughter dusts biscuit dough.
And there's a man who will lift my hair
in his hands, brush it
until it throws sparks.
Everything is just as I've left it.
Dinner simmers on the stove.
Glass bowls wait to be filled
with gold broth. Sprigs of parsley
on the cutting board.
I want to smell this rich soup, the air
around me going dark, as stars press
their simple shapes into the sky.
I want to stay on the back porch
while the world tilts
toward sleep, until what I love
misses me, and calls me in.
- "On the Back Porch" by Dorianne Laux, from Awake
Like Day and Night
"He wanted all to lie in an ecstasy of peace; I wanted all to sparkle and dance in a glorious jubilee. I said his heaven would be only half alive; and he said mine would be drunk: I said I should fall asleep in his; and he said he could not breathe in mine, and began to grow very snappish. At last, we agreed to try both, as soon as the right weather came; and then we kissed each other and were friends."
- Emily Bronte from "Wuthering Heights" (1847)
Wednesday, February 18, 2009
And For This Right I Would Fight?
"I wonder, among all the tangles of this mortal coil, which one contains tighter knots to undo, and consequently suggests more tugging, and pain, and diversified elements of misery, than the marriage tie."
- Edith Wharton, American Author(1862-1937)
Saturday, February 07, 2009
Eventually Yours,
"I'm not afraid to die, I just don't want to be there when it happens."
- Woody Allen
Ain't Got Time to Die
"To live is so startling it leaves little time for anything else."
- Emily Dickinson
Thursday, January 29, 2009
Lessons on Life from Inanimate Objects
It is a kind of love, is it not?
How the cup holds the tea,
How the chair stands sturdy and foursquare,
How the floor receives the bottoms of shoes
Or toes. How soles of feet know
Where they're supposed to be.
I've been thinking about the patience
Of ordinary things, how clothes
Wait respectfully in closets
And soap dries quietly in the dish,
And towels drink the wet
From the skin of the back.
And the lovely repetition of stairs.
And what is more generous than a window?
-"The Patience of Ordinary Things" by Pat Schneider
from Another River: New and Selected Poems
How the cup holds the tea,
How the chair stands sturdy and foursquare,
How the floor receives the bottoms of shoes
Or toes. How soles of feet know
Where they're supposed to be.
I've been thinking about the patience
Of ordinary things, how clothes
Wait respectfully in closets
And soap dries quietly in the dish,
And towels drink the wet
From the skin of the back.
And the lovely repetition of stairs.
And what is more generous than a window?
-"The Patience of Ordinary Things" by Pat Schneider
from Another River: New and Selected Poems
Thursday, January 22, 2009
Thou Shalt Not Covet Thy Neighbor's Ass
I've oft been told by learned friars,
That wishing and the crime are one.
And Heaven punishes desires,
As much as if the deed were done.
If wishing damns us, you and I
Are damned to all our heart's content;
Come then, at least we may enjoy
Some pleasure for our punishment!
Thomas Moore (1779 – 1852)
That wishing and the crime are one.
And Heaven punishes desires,
As much as if the deed were done.
If wishing damns us, you and I
Are damned to all our heart's content;
Come then, at least we may enjoy
Some pleasure for our punishment!
Thomas Moore (1779 – 1852)
Monday, January 19, 2009
I Have a Dream
I have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident: that all men are created equal."
I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood.
I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice.
I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.
I have a dream today.
I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of interposition and nullification; one day right there in Alabama, little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers.
I have a dream today.
I have a dream that one day every valley shall be exalted, every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight, and the glory of the Lord shall be revealed, and all flesh shall see it together.
This is our hope. This is the faith that I go back to the South with. With this faith we will be able to hew out of the mountain of despair a stone of hope. With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. With this faith we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day.
This will be the day when all of God's children will be able to sing with a new meaning, "My country, 'tis of thee, sweet land of liberty, of thee I sing. Land where my fathers died; land of the pilgrim's pride, from every mountainside, let freedom ring."
And if America is to be a great nation this must become true.
So let freedom ring from the prodigious hilltops of New Hampshire.
Let freedom ring from the mighty mountains of New York.
Let freedom ring from the heightening Alleghenies of Pennsylvania!
Let freedom ring from the snowcapped Rockies of Colorado!
Let freedom ring from the curvaceous slopes of California!
But not only that; let freedom ring from Stone Mountain of Georgia!
Let freedom ring from Lookout Mountain of Tennessee!
Let freedom ring from every hill and molehill of Mississippi.
From every mountainside, let freedom ring.
And when this happens, when we allow freedom to ring, when we let it ring from every village and every hamlet, from every state and every city, we will be able to speed up that day when all of God's children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old Negro spiritual, "Free at last! Free at last! Thank God Almighty, we are free at last!"
I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood.
I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice.
I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.
I have a dream today.
I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of interposition and nullification; one day right there in Alabama, little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers.
I have a dream today.
I have a dream that one day every valley shall be exalted, every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight, and the glory of the Lord shall be revealed, and all flesh shall see it together.
This is our hope. This is the faith that I go back to the South with. With this faith we will be able to hew out of the mountain of despair a stone of hope. With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. With this faith we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day.
This will be the day when all of God's children will be able to sing with a new meaning, "My country, 'tis of thee, sweet land of liberty, of thee I sing. Land where my fathers died; land of the pilgrim's pride, from every mountainside, let freedom ring."
And if America is to be a great nation this must become true.
So let freedom ring from the prodigious hilltops of New Hampshire.
Let freedom ring from the mighty mountains of New York.
Let freedom ring from the heightening Alleghenies of Pennsylvania!
Let freedom ring from the snowcapped Rockies of Colorado!
Let freedom ring from the curvaceous slopes of California!
But not only that; let freedom ring from Stone Mountain of Georgia!
Let freedom ring from Lookout Mountain of Tennessee!
Let freedom ring from every hill and molehill of Mississippi.
From every mountainside, let freedom ring.
And when this happens, when we allow freedom to ring, when we let it ring from every village and every hamlet, from every state and every city, we will be able to speed up that day when all of God's children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old Negro spiritual, "Free at last! Free at last! Thank God Almighty, we are free at last!"
- Dr. Martin Luther King, Jr
Washington D.C. - August 23, 1963
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