"You only live once, but if you do it right, once is enough" ~ Mae West
John's Dura Mater Blog
Writings and photos on hope and resilience; love and relationships; life and death; anger and acceptance; and human behavior and beliefs
Tuesday, January 20, 2026
Thursday, December 25, 2025
A Misunderstanding of Assignment
Christmas, 1968. Country Club Lane, Atlanta GA.
The air was thick with it—not just the humidity of a Georgia winter, but the static of change. Or, to be more precise: the fear of it. The complexion of our southwest Atlanta neighborhood was shifting, a slow-motion tectonic plate movement that sent my parents retreating into the familiar bunkers of old cultural habits and familial biases. They were bracing for an invasion of those they thought were their enemy - simply because they were "different." And there I was, right in the middle of the living room: a precocious, effete five-year-old. I was the enemy within.
For my second-grade project with Miss Duck, I composed my Wish List for Santa. It was a short list. A singular list. At the top—and the bottom, and the middle—was “A Crissy Doll.”
Crissy was a mod marvel in a mini-skirt, but her true allure was mechanical. She had a knob in the small of her back. Turn it, and her auburn hair retracted into her torso, wound around an internal spindle. Push a button on her stomach, and the hair grew again. I was fascinated!
I recall the adults attempting the "redirection." The subtle nudges toward the Tonka trucks or the GI Joes. But I was single-minded. I didn't want a soldier; I wanted the girl - or deep inside, did I want to be the girl?
Looking back, I can only imagine the whispered negotiations between my parents. My father had become a ghost in his own house—mostly silent, largely indifferent to my existence. My mother, perhaps sensing the void he was carving into me, drew me closer. She became my protector, my curator. On Christmas morning, her sheer will won out. There, under the tree, was a Crissy Doll. I was overjoyed. I coiffed that doll’s hair, short and long, until the gears groaned. If there was a war of words between my parents or sneers from my older siblings, I didn't hear them. I was fulfilled.
It’s a curious word: sissy. At five, it isn't about sexuality; it’s about affectation. It was a series of signals broadcast to a world that didn't ask for them. And children were, of course, the cruelest of anthropologists. I wore a sports coat and a bow tie to elementary school—my favorite armor—and was greeted daily with sissy and weirdo.
But I had been blessed with an ego that rivaled my intellect. I would stand on the playground with Miss Duck, discussing the "silly behavior" of the other children as if I were a visiting dignitary observing the local primates.
The fascination with the feminine persisted. I once offered up an impromptu performance in a girdle, while family was visiting. I stumbled down the hallway and into the living room where my mother was serving coffee—wearing her black patent pumps and one of her foundational garments. There was a gasp, then that terrible, brittle laughter—the kind adults use to mask their horror. I was summarily dismissed. My mother learned to lock her closet before guests arrived; And I learned that in the theater of the living room, some costumes were considered... “transgressive.”
By the time my father died, the cruelty of the world had begun to weigh. I began a structural renovation. "I’m not Kelly," I proclaimed. "Kelly is a girl’s name. Dad was John. He’s gone, so now I’m John."
I spent the next few decades transforming myself into what I perceived my world wanted. I became the ideal: masculine, muscular, a "man’s man" in a gay world that had become as complex and discriminating as any European royal court. I found that even in our community, we, like our parents, had brought bias into adulthood with us. On Saturday nights, I often heard my friends, dressed in their leather finery sneer at the drag performers - "Why do we have to ruin our high with this sissy theater?"
The irony was delicious, if a bit acidic.
In 2002, when AID Atlanta needed a new fundraiser, I proposed the "Atlanta Cotillion." A traditional Southern ball, but with a twist: twelve debutantes, all cisgender men who had never "presented as female," stepping into gowns for charity. I wanted a celebration of the feminine within all of us—regardless of where we sat on the spectrum.
The community was baffled. "Can we come as men if the men are women?" the lesbians asked. Some gay men insisted on wearing tuxedos because "a man, dressed as a distinguished woman is only complete with the complement of a man."
I shook my head. "I’m sorry," I said, over and over in frustration and disappointment. "You’ve misunderstood the assignment."
And I leaned into my own inner female - I stepped out as the Grand Dame. It was my first time 'in face' as an adult, a quiet reconciliation with that little boy in his mother's patent pumps. It was a triumph of identity for sure, but also one of industry; over ten years, we raised $1.3 million for the cause.
Now, my friends and I are at retirement age. We sit around dinner tables, and the conversation turns to "the kids" and their "new gender spectrum." My friends, the ones who fought for marriage equality, now bemoan the "litany of letters." LGBTQ+ They are befuddled by pronouns, by the "addition" of gender identity to their fight.
We sometimes see our long-time friend Molly (she/her/hers)—beautiful, trans, and "grandfathered" into their affection. She occupies a "cherished category," the singular exception that allows them to maintain their biases against the rest. But eventually, the wine flows and someone gestures toward the horizon with a mix of pity and exhaustion: “Is that a ‘they’ now?”
They squint at the gender spectrum as if it were a foreign map they refuse to read, willfully forgetting that they once stood on that very border of identity—likely clutching a doll.
It is the same bunker our parents built for themselves in the 1960’s. We have simply swapped the fear of a changing neighborhood for the fear of a changing lexicon.
Sean, my No. 6, who is thirty years my junior, often rolls his eyes and leaves the room, weary of the stagnation. And I? I am left wondering how we retreated so far into our hard-won "masculinity" that we became the very gatekeepers we once fled.
I think of the lyrics Madonna whispered at the turn of the century:
“But for a boy to look like a girl is degrading / Cause you think being a girl is degrading...”
I fear we are still struggling with the assignment.
What It's Like For a Girl - Madonna
lyrics by Madonna and Guy Sigsworth
Wednesday, December 03, 2025
The Comfort of Our Loving Chosen Family
I have, by some measure of recklessness or sheer geographic fidgeting, inhabited eight U.S. cities. Birmingham, New Orleans, Fort Lauderdale, even a brief, sun-drenched pause in West Hollywood—a restless itinerary born of work, longing, or my desperate, repeated need to push the reset button. I am now, for the sixth time, back in Birmingham, where the cycle first began, a prodigal son without a parable, merely a habit.
This itinerancy—this compulsive crisscrossing of the American landscape also included countless fundraisers and the Sisyphean work of HIV/AIDS advocacy—has left me with a staggering collection of human contacts. Acquaintances, yes. Friends, certainly. But, most importantly, it has forged a chosen family of a size and tenacity that defies mere listing in a digital Rolodex.
My path, as I’ve chronicled in various unflinching accounts, has traced the dizzying heights of the acme and the devastating depths of the nadir. And through all of it, from the ecstasy to the sheer, unblinking horror, I have walked with these few, this steadfast, close chosen family.
The Birmingham Contingent
To return to this Southern city—to the origin point of my adult consciousness—is to settle, finally, into the loving bosom of men I have known for forty years. Forty years. It is a terrifying testament to human endurance, if nothing else. We are the brotherhood I once wrote of—the crew who traveled, absurdly, to Savannah in a Winnebago to watch the river succumb to a green dye job.
The history is untidy: there was the sleeping together—and the dating that curdled into something better. It was during this early time when I met my first partner, whom I quickly designated "Also John"—my No. 1. I first saw him at Basics, sitting at the bar in these cute orange gym shorts. I soon recognized he was also my cashier at the local supermarket. Within a week, I mustered the courage to ask him on a date. “Wanta go to dinner on Monday?” “Sure!” he replied. I don’t recall where we ate, but he stayed over with me that first night—and never left. Two years later we still lived together. It was both our first try at a loving relationship. But because we lost many of the men just older than us—the couples that might have been role models for us—we used the only examples we had: our parents, straight couples. Unfortunately, both of us had come from very bumpy family origins, so…
But three years after we met, we remained loving friends as he went off to Texas to get his Masters. To this day, "Also John" is the closest thing I have to a brother—and I have a biological brother, mind you. We’ll get to the topic of how biological families have often failed a generation of gay men.
"Also John" remains my stalwart constant.
Many of us who had early encounters took the best of the salvageable material—the friendship—and continued. And in that continuation, we stumbled upon a profound clarity. The confusion—the sexual possibility—was relegated to the past. What remained was a companionship that was more than friendship; it was a commitment, a deliberate act of loving companionship. We cooked, we gathered, we watched the comforting, synthetic glow of The Golden Girls—a strange, surrogate domesticity.
Intimacy Without Fear
Then there is Atlanta, where the 1996 Olympics seemed to inadvertently sow the seeds for another grouping, sixteen strong, constant companions. This was the moment—between the cautious cultural visibility of My So-Called Life and Ellen, and the seismic shift in medical progress—that the world, and we ourselves, dared to believe we could be comfortable again.
We had, by this time, matured. We were comfortable with man-on-man intimacy—and I do not speak of sex, but of brotherly closeness. A gathering for a film meant bodies piled upon a sofa—a casual, tactile acceptance. There was no fear that a head on a shoulder would be mistaken for a preamble. It was simply the evidence of the bond.
It was this very intimacy, this effortless being, that led to the farce we called Gays and Grays Mother’s Day Weekend. Eight of us, realizing we had become the collectively chosen child of a beloved mother (what a grotesque, beautiful trope!), coordinated the arrival of our matriarchs. A cocktail party, a dinner. The wine flowed—the great grease of truth—and the dam broke.
The Education of Mothers
One of the mothers, with a disarming directness, asked the necessary question: “So are you all one another’s ‘play things’?”
The collective eye-roll from the eight of us—the Oh, Mom—was immediate, instinctive. But another mother interrupted: “No. I truly want to know the answer to that question.”
Ever the educator, I took a stab at the defining. “We are all friends. Most of us have a ‘special friend’ in this group, but the rest of us are simply friends.”
A second mother cut through the semantic clutter. “My ‘friends’ and I do not routinely hug and kiss when we greet and when we part.”
A friend countered: “Point taken. But I suppose, in that way, we are merely a large Italian family. We love one another, and we love showing it.”
Then, the final, surgical question: “So none of you have ever slept together—except with your special friend?”
The silence was the kind you could bottle and sell as an existential threat. A shared, shamed look among the sons. Then, a sudden, thunderous laughter. “We are not saying some of us have not slept together over the years, but still…”
“Hmm,” a mother observed. “The man you bring home to me, you call ‘your friend.’ You call all of them ‘your friends.’ Pardon my confusion.”
I jumped in, offering a compromise: “Let us agree to use the designation ‘significant other’—a term we grant men with whom we have lived and who we have managed to endure for more than a year.”
They nodded. They seemed to find relief in the structure. But if the mothers were to define us, it seemed only fair that we should test their accuracy. "Turnabout is fair play," I announced, turning to my own mother. "Given that designation, can you name my ‘significant others?’"
Once we reached eight or ten cries of “Mom, I never dated him!” or “Mom, do you recall me living with him?”—the volume rising with the wine—we all had to agree that communication had failed us all over the years.
Yet, I still break into a cold sweat when I imagine what my mother might have been thinking for all those years.
The Choice of Lifestyle
Years earlier, my mother had lamented, “I just can’t reconcile why you chose this lifestyle.” For years, I had diminished her, insisting this was no choice; one does not choose attraction. The argument, a well-worn piece of theater, flared up again during a twelve-hour drive to visit my lesbian sister.
Suddenly, she stopped the performance: “John, you’ve mistaken my meaning. Honey, I know you didn’t choose whether or not to be fey—attracted to men. That is ridiculous. You can’t choose that.”
She leaned into the silence of the car.
“The lifestyle I’m disappointed you chose was one of isolation—living apart from the family. You moved off to the City, spending time with those people we didn’t know—and in questionable places. You turned your back on your family—as if we were no longer good enough.”
She offered an example: “I had an uncle who ‘wasn’t the marrying kind.’ We all knew. He lived near my parents. He played his part in the family—babysitting, helping when someone was sick. Not doing that—not living as part of our family. That was the choice.”
I sat with it—disappointed that the misunderstanding had existed for so long.
“First,” I finally said, “I am sorry. You are right. I misunderstood you.” But then, the defense of a generation. “Mom, your uncle lived a lonely, isolated life. Would you have wished that on me? I had no interest in being cast in a supporting role. I would have been miserable.”
“So many men like me have made the same ‘choice’ I’ve made—because we can. Because our biological families couldn’t, or wouldn't, understand—or love us as we are. So, we sought out happiness—love—with like-minded people, in a community we built for ourselves. In that sense, yes, I chose this lifestyle. But it was the only chance I had to love and be loved.”
Our Clan of Handwavers
This was our mission. This was the fate of a generation, beginning in the mid-twentieth century and accelerated, execrated, by the AIDS pandemic. We were forced to create our own families. We made a large, caring brotherhood, within which we created smaller, essential, loving chosen families.
As we age, the peace of mind is immeasurable. We are there for one another. We know one another more deeply than many of us know our own family of origin. We accept, embrace, support. When I was homeless, I had a home. When I was hungry, I had a meal. When I found success, my chosen family was there, cheering me on. Unconditional. Loving.
The brotherhood is now an international scattering of Facebook feeds—the New York friends, the Philly friends, the New Orleans Boys. The intimacy of proximity is replaced by the necessary infrastructure of social media.
But most vital are the chosen families. The local, daily support system. Our rides or die—the grammar matters less than the conviction.
I think back to those fundraiser dance parties. Our little Atlanta family became known, affectionately, as “The Clan of the Handwavers.” You could spot us, on any crowded floor, amidst the sea of bare chests. We were dancing, only and always with our family, our hands thrown into the air, waving in time to the music—a gesture of pure, unadulterated celebration of our family, the deliberate, necessary family we built for ourselves.
Monday, December 01, 2025
The Long After: Survival's Unexpected Gift
Saturday, November 22, 2025
Love and Intimacy in the Shadow of AIDS
On Saturday night at Belles, before the drag show, they'd play a slow song. One song. A chance for couples to touch, to be intimate. So many of my friends hated it. "Why would they bring everyone down for a stupid slow dance? No one wants to touch when they dance," they’d complain.
But to me, the moment was an aching reminder of what many of us as young gay men had never experienced—life without the shame of intimacy - and life without a looming expiration date. My mind goes back to the Sylvester hit "One Night Only." In that moment, the lyrics, originally meant as an anthem of a fleeting free-love culture, actually articulated a more disturbing unspoken truth for us:
“In the morning this feeling will be gone / It has no chance going on / Something so right has got no chance to live / So let's forget about chances / It's one night I can give.”
As gay men in the 1980s, we believed our days were numbered. Sex was a game of chance, a spin of the Russian Roulette cylinder. Friends were dying around us, and no one truly understood the cause, only the brutal, inevitable consequence.
Our fear was sometimes strikingly reinforced by the mainstream, straight world. On October 17th, 1989, just before I met my 2nd partner, I was watching coverage of the San Francisco earthquake aftermath. As the footage showed the destruction, a young child looked up at his mother with teary eyes and asked, "Momma—why does God let this happen?" Without hesitation, she replied: “It’s God’s wrath on the queers for infecting the World with AIDS.”
She froze, realizing the daggers I was staring into her. She had consciously given voice to the societal verdict: gay men were dirty, unnatural, and our sexuality was a biological contamination. The public health mandate to use condoms was not just a medical recommendation; it was, for us, a life sentence of penance. Straight couples could risk intimacy for love; we were mandated to risk only our lives if we sought connection outside of a latex sheath. And we felt we had no choice but to buy into the narrative. We were indoctrinated to believe that sex without barriers was shameful, an admission of our own inherently "dirty" nature.
I Was Given a Choice
That same month, I met Charlie in New Orleans. We found ourselves on the floor of a walk-in closet in my shared hotel room—a private space carved out of necessity. Before we were intimate, he disclosed: “I need you to know I’m positive.”
It was a profound, terrifying act of honesty. Though I acted cool, my mind was screaming. After eight years spent in mortal fear of this specter, I had been given the choice. I nodded yes. And we did what the authorities told us—a sterile, cautious, protected intimacy. The greatest act of human connection had been reduced to a series of administrative tasks conducted in a crawl space.
Charlie became my 2nd partner, and my first sero-discordant relationship. His honesty gave me choice, but it did not grant me ease. I was never madly in love; I’m not sure I knew how to be, how to overcome the trauma and indoctrination of the 80s and truly let someone in. We loved each other, but the truth beneath the surface was far more pragmatic. I remember I would say to him, “I love you. Today.” The unstated half of that truth was always: Don’t book a vacation we might not live to see.
The Suffocation of Love
By 1992, I was an HIV activist and educator, and I had met partner No. 3, Tom, who was also positive. Perhaps I embraced these relationships to wear them like a badge of honor - showing everyone that I could practice what I preached. But with Tom, I also began learning how to truly love and be loved. And, in a way, we did. We fell in love. But there was always something between us - a hesitance. And my meticulous diligence was also always there. I was exacting when it came to our protection practices, sometimes even wearing latex gloves, and always, always, immediately jumping into a scolding hot shower—a ritual of purification that symbolized the need to wash away the risk and the shame immediately after the act of love.
I could tell Tom craved intimacy. He wanted a touch that was passionate and carefree, not painstakingly planned and cautious. But I, ever the Boy Scout, didn’t—couldn't—give him what he most wanted. Consequently, I felt more and more inadequate.
And we never talked about any of it. Not once. So, the emotional cost of our adherence to the rules began to precipitate our downfall.
Over time, our relationship was suffocated by what was not said. We traveled across Europe, from Switzerland to Prague, hoping a holiday would heal us. Instead, we spent days in silence, then argued, and then returned to silence. On the flight home, we didn’t even want our arms to touch on the armrest between our seats. The fear and the constant vigilance had successfully frozen our emotional connection. I left less than a week after we arrived home. Another relationship fallen to the weight of the burden and our adherence to the cruel rules we’d been given.
A Reckoning and a Reclaimed Future
By the time I met my No. 4, we had both reached a breaking point. We had grown to resent a life lived without true intimacy, without the easy abandon straight couples took for granted. The need for true connection, paired with an understandable ego—a rebellion against our second-tier sentence—led us to embark on a shared, Albee-esque experiment. We would reclaim the emotional and physical intimacy that fifteen years of epidemic had forced us to deny.
It was freeing: to touch someone and be resolute in the decision not to fear. We tested twice, six months apart, sharing our negative results each time. No more relegation. We committed, and we were intimate. That’s the way it should be, right?
Then, in June 2000, he called. “I’m positive.”
I immediately shifted into caretaker mode. It took weeks for me to finally submit to a test for myself. When my doctor, a long-time friend, turned to me with tears in his eyes and said, “John, I’m sorry to say you’re positive,” I held my breath for a moment. The only words I could muster were: "Well, fuck..."
This wasn't resignation; it was the final, devastating exhale after fifteen years of holding my breath against a specter. I had fallen, not through carelessness, but through the desperate, conscious act of rebellion against the societal sentence—the psychic toll of years without true, unburdened intimacy. The tragic irony was complete. I had finally achieved the "normal" life I craved, but it came with the virus I had spent half my life dodging.
The pain of that fall did not define the end of my story. Today, two decades later, the narrative is entirely different. I am living well, and happy for 10 years with partner No. 6, Sean. A sustained, true connection that felt impossible in the early days. We have been granted the unexpected gift of longevity, the very thing that felt cruel to even discuss when Charlie and I spoke of love, "Today."
The scientific establishment’s early messages, though necessary for survival, broke a generation’s heart. But the revolution has finally arrived. The advent of Undetectable means Untransmittable (U=U) and PrEP has done what decades of sermons and shame could not: it has restored parity and equity. The next generation of gay men need not be sentenced to a life of emotional freezing or transactional intimacy. The moral judgment has been stripped away by science. The fear that suffocated us—that mandated a second-tier existence—is finally obsolete.
Saturday, November 15, 2025
30 - 60 - 90
The quiet is here with us, for now. It’s the silence of her exhaustion, 93 years deep. I am with the woman who has married four and buried four, as well as a daughter—a sentence that should belong to mythology, not a mother.
And I often wake hearing the echoes of that Sound.
Recently, we had a birthday. A confluence of numbers. A cosmic joke. My partner, Sean (No. 6), was thirty. I was sixty. My mother, ninety. Three lives, three stories orbiting the same sun, separated by three decades—yet, strangely overlapping. With a dark humor I appreciate, she sometimes calls our conversations "30-60-90."
She spoke vaguely of her life at thirty, what it meant at sixty, and now 90. My life now, at sixty, feels like a distorted overlay of her early years—the struggle, the seeking. Yet, I look at her now—and see the omens of my own ninety. And we both live vicariously and learn so much from Sean’s fresh perspective at thirty.
30
In her 30s, my mother was consumed by efforts to keep her family safe—consumed by holding it all together—protecting her children from the chaos. As mothers have done through history, the peace offering to my father was another child. A new start. I was the decade child, the desperate flourish, the attempt to patch the tarnish. But I was a precocious, effete almost alien child who only drew my father’s silence and indifference.
She drew me in closer. Consciously. She filled the void he carved. Later, she’d ask, eyes wide and bewildered, "Did I make you?" As if love could be the engine of difference. “No,” I said. “I was born different. I was the foreign object already in your womb.”
In 1970, I heard the cry for the first time—is cry the right word? What does one call that sound? That sound that starts so deep inside—a low-frequency moan born of the pain of inconsolable loss that crescendos into this blood curdling primal scream. Over the years, I would become far too familiar with this sound—as well as my subsequent failure to sooth or comfort her in those immediate moments to follow.
We had all lived for years with my fathers alcohol abuse—but this time he left his mark. Suicide by gun, leaving himself for my mother to find. Suicide. It was an act of terror, perpetrated against his wife—his children—his family. How did she manage? How did she find a way forward?
She remarried within months. A new, hopeful future that was still never to be. And eleven years later, cruel karma visited again. I was with her when she lost her second husband—and again the Sound—the heart-wrenching sound of profound loss. That day, there was mourning in the evening.
In my thirties, after the loss of so many of my close friends to the pandemic, I similarly began my work to start anew—to transform and grow. But then the diagnosis—and the dark years when I became homeless. A period during which it seemed I had lost everything—everything except a mother’s loving support. I not only found myself with debts to pay, physical and psychic—but I had to atone.
When I met Sean, my No. 6, we openly discussed the implications of a 30-year age gap. My goal became to “gay it forward”—to share as much of my experience as I could - maybe to ease his path. And he has such wisdom of recent youth to share—secrets of negotiating an ever faster changing world. The pace of change exerts its centrifugal forces that would seemingly fling us all into oblivion. But then Sean is there to ground us - challenge us to adapt.
60
Now I am sixty. I have had six partners. She has had 4 husbands. We are our constant.
The bond intensified through my own tragic losses and through her subsequent grief. The third and fourth husbands—gone. And then my sister. For the third and fourth time, I had to endure that Sound—the sound I had grown to dread—and again there was mourning in the evening. Yet, as always, she rose again and moved forward - buttressed by her faith, her family and friends. For many years now, they are the framework of her life well-lived.
People say we are unnaturally close. But would they if they knew? If they thought about it?
My life in my sixties is defined by this honour—to lovingly support her.
The script: When my mother was this age—sixty—she moved in with her own mother to care for her in her final, independent months. The role, the setting, the deep, exhausting purpose: it was all predetermined. I am simply fulfilling the destiny she forged.
At 63, my body, having survived the plague and endured the bureaucratic war, demands a crucial adaptation. The furious pace of my younger life has given way to the necessary compromises. But I, too, enjoy a life well-lived.
Sean, my mother and I now also share a shift in our emotional architecture. I like to say I'm becoming more "delicate," but the truth is a creeping sensitivity, an assertion of anxiety. And my mother seems so much more fragile—she openly worries in a way I’ve never seen in her. Sean sometimes seems pushed beyond the breaking point. But alas, as always, we find a way forward.
I have comfortably settled into the identity of a (tongue-in-cheek) well-dressed, somewhat erudite older gay man. I'm happily in my 10th year with my partner, No. 6. I often remark to Sean, in defense of my actions or choices: "You'll see when you're 60." He just shrugs. It's like he can’t—or won’t—consider the idea, much less accept it as a defense. He lives in the fierce present. But I, bound by memory, am always looking forward and back.
90
Now she is ninety. My partner is thirty. And I am sixty. Combined, a full life spectrum.
I look at her and I have premonitions of my own decline. She describes to us what it is like to be ninety—the age when most all the people she's loved are gone. The joy and the darkness that comes from reflecting back on a life full of unspeakable horrors, profound love, happiness and growth—but with recognition of how few days are left for her - and the acceptance of the sheer complexity of her history.
But what remains is the sound, that terrible, echoing Sound.
I started the blog, John's Dura Mater Blog, because I needed a defense. A philosophical scaffolding to help me understand and express the wonder that is her legacy of endurance and resilience.
I am her son. I am the observer and the participant.
Albee wrote: "Writers have this schizophrenic ability to both participate in their lives and, at the same time, observe themselves participating in their lives."
If I have learned anything from her over the years, it is the human’s ability to grow—not just change, not merely become something else, but to become something more.
Sean and I are similar in that we cherished the example set for us by our elders - those who forged the way for us.
That’s what this is. This is my attempt to observe my mother, who married four and buried four, who filled the empty space, who loved me fiercely through the chaos. I am finally in the first row, not just watching, but holding the space around the sorrow, waiting for that inevitable moment when that sound will one day be mine.
Wednesday, October 29, 2025
The Fabulous 5000
The Costume
The Fall of 1992. My life was framed by the twinkling, lighted marquee of the Fabulous Fox Theater. I lived at The Ponce, a grand, pretentious old high-rise on an avenue named for the Spanish explorer's endless, foolish search for eternal youth. I was dating—or rather, serially seeing, a fetching young graphic designer. But there were no attachments, no sitting still. My commitment was to the appointed rounds, the relentless, necessary attendance and support for the next fundraiser. So, I was off again.
It was time for my annual pilgrimage with friends to the Halloween New Orleans fundraiser supporting Project Lazarus. The theme this year was Dungeons and Drag Queens. At the Friday reception, in passing, I was introduced to a small group who had traveled down from Manhattan. They seemed nice enough—but carried an East Coast certainty.
On Saturday, the performance began. I was off to the warehouse party, fully armored. I donned my denim, black leather vest and biker cap—the full Tom of Finland theater, a hyper-masculine fantasy I inhabited. This was the forming ‘Ideal’ I had consciously designed to replace the insecure college kid I had been only years earlier. The party was a chaotic mass; running into anyone twice was an absurdity. But I did. I saw the group from Manhattan. Trying to remain in character, I maneuvered toward him. He was dressed in black army boots, a short kilt, no shirt, and a troll doll wig—a brilliant, chaotic signal of defiance that blew apart the entire theme. I introduced myself. He replied, with a bored economy, "Yes, I'm Tom—we met last night," turned on his heel, and walked away. A clear rejection, delivered with the casual brutality of a New York traffic light.
Later at The Pub, we simply nodded in recognition of each other. But upstairs just off the dance floor, around two in the morning, as the crowd had thinned, I found him standing next to me at the bar—both of us watching the light show and the few remaining dancers.
Our eyes met. I said, simply, "It's late."
He replied, "Yes."
"Want to go home with me?" I asked, cutting through the noise.
He looked back at the dance floor, his face obscured by the strobe light, and paused. "I think I'll walk around a while longer," he said, making the decision itself the object of high drama. "But if we're both still here—in twenty minutes, maybe."
We were. And we did. So off we rode on my motorbike, me in my leather, and him, in contrast, in a troll wig and a school skirt.
The next morning, a friend asked, "So, who’s the guy with the chest from here to here?" motioning from far right to far left. "My guest for the weekend," I replied, already trying to minimize the man who had just blown a hole through my carefully controlled life. Tom was to become my third partner; the second partner I'd met at the Halloween New Orleans party, and the second HIV-positive man to enter my life.
The Approaching Storm
Soon, I was back in Atlanta and my life of work, gym, the Armory. And Tom, back to his life in the Big Apple. We talked often by phone. I even visited him for a short weekend, but the gravitational pull had begun. In March, he announced he was planning a move to Coral Gables. He asked if I would like him to stop through Atlanta for a visit. I agreed, the theatrical staging of fate now complete.
That Friday, the fetching young man I had been seeing on occasion asked what we would do for the weekend. "I have a friend visiting, so I won't see you until next Tuesday."
He replied: "A friend? Or a 'Friend'?"
"That shouldn't be your concern," was my clipped reply.
On Friday afternoon, Tom arrived in a moving truck packed with his belongings. We found parking for it then had a nice dinner and evening together.
The storm began on Friday, March 12, 1993. Over the weekend, Atlanta was hit with over two feet of snow. The Blizzard of '93. The truck, too expensive to let sit, was unpacked and returned. Tom never left. And I never saw my fetching young man on Tuesday—in fact, we didn't speak for years. The hand of fate had decisively swept through.
Swissvale Paradise
After several months in Atlanta, my professional career, that engine of my personal transformation, transferred me to South Florida, so my No. 3 and I moved. A picturesque three-bedroom cottage in Victoria Park with a yard full of mature mango trees. Outwardly, we seemed set to become the new "it" couple in the Fort Lauderdale gay community. We also traveled relentlessly, connecting with old friends, meeting new ones—Mardi Gras, New Orleans; Pensacola on Memorial Day; Black Party, New York; and most importantly, White Party and Winter Party in Miami. But we struggled together in those first years—fits and starts, ups and downs—so the allure of life on the Beach began calling us.
We moved again to a little four-plex, The Swissvale, just off Lincoln Road Mall in South Beach. We both loved the sun, the beach, the slower daily pace of it. We thrived together and grew more and more in love. We made the perfect home for ourselves. I met and befriended many of Tom's friends and his family. And my family and friends loved Tom. My mom, a woman who had seen her share in life’s parade, would simply say: "Tom's a character. I don't think I've ever known anyone quite like him." And neither had I.
Our group of friends and acquaintances, often beautiful, successful, talented men—a well-curated constellation of egos and expense accounts—were eventually dubbed "The Fabulous 5000." A number, we joked, that represented the minimum social velocity required just to stay in orbit. It seemed we were all everywhere—all at once. Wherever there was a gay event, a fundraiser: Gay Ski Week, Hotlanta River Raft Race, Black and Blue Ball.
Orbital Decay
We rode that wave for a few years, but then I began to recognize things were changing.
The very scaffolding of the caring brotherhood we had invested in since our youth was rotting from the inside. Many of the well-meaning, necessary fundraisers of the mid-80s had simply evolved into something hollow. As more people overdosed, habitually fueling themselves with substances just to ride—or desperately cling to the top of—that relentless calendar of dance parties, the circuit became toxic. Many of us had grown to taste the bitter tinge beneath the enjoyment. It was the antithesis of everything we had once envisioned to honor our lost friends and support ASOs.
The altitude was unsustainable. The ground seemed to drop away and I felt more and more severed from the real world. The ‘Ideal’ I was chasing became a lead weight.
The performance was relentless. Yet, in the mirror, I still saw the pathetic skinny kid with the mouse-colored hair. The validation was a crushing, bewildering void.
I had retreated from intimacy, hiding behind the travel and parties and my curated persona. In doing so, I had allowed my partnership with Tom—the first man I ever truly loved—to wither and fracture, just like the very community that had birthed it. The performative male, center stage was blinded by the footlights. The man I had constructed seemed incapable of sustaining the love I needed most.
I broke things off with Tom. It was a failure of self-awareness so complete, I didn't recognize its magnitude until years later. The inevitable break-down and clean-up of the theater set had begun.
Back I went to Atlanta—my boomerang city, my place of comfort. I didn't know it then, but the descent had only just begun.
Sunday, October 26, 2025
The Fiddler’s Bill
Wednesday, October 22, 2025
Monday, October 20, 2025
Part I: A Caring Brotherhood
The Road to New Orleans
Hospice—the word itself carried a clean, clinical finality. In the late 80s in Birmingham, my volunteer work was in private homes, a relentless, solitary march against the inevitable. But I had seen another structure of necessity take hold in other cities: the group home. These weren't mere medical facilities; they were built as a direct answer to injustice. Too often, the residents were men who had been abandoned—rejected by partners, cast out by family. They were there because they had nowhere else to fall.
It was this heartbreaking, yet righteous, resistance that fueled us. The development of AIDS hospices seemed almost coincidental across various U.S. metro areas, but the first with which I became directly involved was Lazarus House in the Faubourg Marigny. The name itself—Lazarus—carried a terrible irony. The biblical figure was raised from the dead, restored to life. We, on the other hand, were building homes for men who were already marked for death. But perhaps the effort was not for the restoration of life, but in the restoration of dignity when life had been stripped away.
This heartbreaking necessity drove us. We were not isolated; our struggle was a shared map drawn across the entire South, city by city.
At AIDS Service Organization (ASO) fundraisers in other cities across the South, we became known as the Men of Birmingham—or MOB. Groups of friends from across the South recognized our attendance, contributions and our distinct group dynamic with these names—like the New Orleans Boys (or NOB), and the Boys of Atlanta (BOA). Most all of us were just scraping by, working shifts for gasoline and cocktail money, but groups of us traveled to support the charitable efforts of the others.
This particular year, my blue, 1976 4-door Volvo station wagon, a hearse-like vessel, became my chariot of righteous absurdity. New Orleans, French Quarter; seven men, one hotel room, trading the floor for the walk-in closet, just to be present at Halloween New Orleans to benefit Project Lazarus.
Our hand-made Trojan soldier costumes took us weeks to make - cutting vinyl, burning fingers with hot glue guns. They were extravagant, not because they were beautiful, but because they were so well-coordinated – and witty. This year's double entendre, "Play It Safe—Take a Trojan to Bed!", pinned onto our breastplates, was our offering—a plea, a joke, and a challenge all at once.
Friends and I were not just raising money for the cause in Birmingham; we were investing in the brotherhood. A tireless commitment to the broader development of the ASO’s around the South. The success of Halloween New Orleans—now over four decades strong and still supporting men and women living with HIV/AIDS—was our collective, yearly proof that the effort, the sacrifice, was valid. It was our crusade.
The Warehouse Costume Party
I was now twenty-something, a kid who had fled to Birmingham years before at 19, just to learn the rudimentary mechanics of being a gay man. But New Orleans, with its intoxicating blend of European decay and decadent lifestyle, was all at once a shock to the system, and fascinating! The scale of the Saturday night costume party, held in the massive, echoing warehouse on the Mississippi, was the physical manifestation of a world I only faintly grasped. It was a mass of humanity, yes, but a mass with a singular mission—to meet, to remember, and to fund the necessary structures of survival.
My previous existence had been mostly defined by the borders of Alabama. My mind, my empathy, my self-awareness—it was all localized. But here, shoulder-to-shoulder with thousands of men from Atlanta, Houston, Miami, New York – and places I’d never heard of – the map of my life abruptly, profoundly, broadened. This was where the brotherhood lived. The shared experience, the dark humor, the tireless commitment that transcended our state lines. It was a baptism in a new, necessary kind of belonging. It changed me; it forced the realization that I had a place in the world far beyond the confines I had known.
And then, in the midst of this overwhelming, collective roar, our eyes connected.
He stood in clean linen, a stark, quiet contrast to my ludicrous helmet and vinyl skirt. The noise of the three thousand men and women, the music, the laughter—it all receded, becoming a distant hum. Charlie.
It began with a look, a small, knowing upturn of a lip, in a costume-filled warehouse. He simply said with a twinkle in his eyes - "A Trojan. I like the branding."
The challenge was delivered. My world was broadening. The personal work begins. The narrative of doing was over; the narrative of becoming had started.
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